In Philosophizing Rock Performance Dylan Hendrix Bowie Wade Hollingshaus capitalizes on this notion by embracing a set of historiographical logics that reimagine these three artists. Noting how Dylan Hendrix and Bowie first established their reputations amid the antiestablishment sentiments that emerged in Western counties during the 1960s and early 1970s he connects them with the concurrent formative phase of Continental philosophy in the work of Giorgio Agamben JeanFranampampccedilois Lyotard Michel de Certeau Jacques Ranciampampegravere Guy Debord and Michel Foucault. In Philosophizing Rock Performance Hollingshaus draws on the work of these latter Continental thinkers to explore how we might otherwise think about Dylan Hendrix and Bowie.