The Second World War marked an ethical turn in British fiction. The author of this study demonstrates this by closely examining John Fowless and Iris Murdochs works as postwar metatextual magicalrealist novels interested in ethics and the nature of contemporary reality. These ethical novels transcend mere morality to explore the essence of the Good. Through paradigms of human experience they direct our attention towards the Other and impart moral principles based on acts of Goodness. The author assesses the moral intimations in Fowless The Magus and Murdochs The Sea the Sea in the context of their philosophical writings mainly The Aristos and Metaphysics as a Guide to Morals respectively. She shows that Fowles and Murdoch endeavour to instruct the reader morally through the accessible language of fiction.