This work is a basic introduction to aesthetics and covers the major theories of art while referring to various filmic examples to illustrate the complex ideas related to the philosophy of art. In addition it addresses film itself as an art form analyzes film studies and discusses films ambiguous culturalartistic position.The overarching theme of the book is the most basic aesthetic question What is art That eternal and critical question is explored by addressing representation formalism and expressivism three classic aesthetic theories. Film Art and Filmart begins by focusing on Plato including a look at the issue of censorship as it is raised in his Republic. Then formalism is discussed via Kant and Roger Frys and Clive Bells theory of Significant Form. Expressivism is dealt with by utilizing views by Leo Tolstoy and R.G. Collingwood. Contemporary issues in aesthetics are illuminated with George Dickies theory of art while also examining the cognitive theories of Nelson Goodman and Martha Nussbaum. The final chapter opens definitional structure up a bit by investigating the concept of freedom as integral to art and by straying from the largely analytic focus of the rest of the book through analysis of continental philosophers such as Hegel Nietzsche and Foucault.